New dimensions are drawn from the characters of Lynn Nottage’s play in an operatic adaptation with music by Ricky Ian Gordon. Patrick J. Maley reviews.
John Guare’s new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
Tom Stoppard interrogates whether a thermostat has consciousness potential, and why we have consciousness at all. Loren Noveck reviews.
Dominique Morisseau takes on the school-to-prison paradigm in her newest play. Cameron Kelsall reviews.
Amy Herzog’s acclaimed drama returns.