Charles Busch is a legend, but Juan Ramirez finds his newest play a little too retro for its own good.
Keith Hamilton Cobb’s impassioned argument for having a voice in his own representation is compelling, but also holds too much back. Juan A. Ramirez reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
A lack of trust leads to a lack of emotional impact in God Said This. Loren Noveck reviews.
Tim and Tyne Daly are cast against type in a play written for them and their real-life sibling rapport doesn’t shine through. Cameron Kelsall reviews.
Primary Stages presents A.R. Gurney’s trio of plays about “the waning of WASP culture,” but a little more mining is required to bring out his “dark, distinctive voice.” Joey Sims reviews.
Joey Sims reviews Sharon Washington’s autobiographical solo show.
Alison Walls reviews Primary Stages’ sometimes over-the-top production, in an adaptation by Kate Hamill.
You can’t go home again in Primary Stages’ revival. Alison Durkee reviews.