Charles Busch is a legend, but Juan Ramirez finds his newest play a little too retro for its own good.
Keith Hamilton Cobb’s impassioned argument for having a voice in his own representation is compelling, but also holds too much back. Juan A. Ramirez reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
A lack of trust leads to a lack of emotional impact in God Said This. Loren Noveck reviews.
Tim and Tyne Daly are cast against type in a play written for them and their real-life sibling rapport doesn’t shine through. Cameron Kelsall reviews.
Primary Stages presents A.R. Gurney’s trio of plays about “the waning of WASP culture,” but a little more mining is required to bring out his “dark, distinctive voice.” Joey Sims reviews.
Joey Sims reviews Sharon Washington’s autobiographical solo show.
You can’t go home again in Primary Stages’ revival. Alison Durkee reviews.
The odd couple.