This hauntingly beautiful chamber opera by Garrett Fischer and Ellen McLaughlin gets a stunning production at Prototype. Loren Noveck reviews.
The COOP’s inaugural production uses the true story of a sovereign state in the North Sea as a microcosm of environmental woes. Ran Xia reviews.
An opera-theatre adaptation of Sarah Kane’s play is at its most successful when it uses inventive orchestration to transcend the human voice. Lane Williamson reviews.
Molly Grogan reviews the premiere of Mikael Karlsson’s opera in a prison cell, in PROTOTYPE.
Loren Noveck discovers a previously overlooked reading of As You Like It.