The latest entry in Richard Nelson’s “Rhinebeck Panorama” is missing the alchemy that made the previous plays so successful. Lane Williamson reviews.
Dead Centre presents a meditation on death and grief with a remarkable performance from a young actor. Nicole Serratore reviews.
Adam Rapp’s Broadway debut is masterfully acted, directed, and designed, but the play itself may leave you feeling “impressed and unsatisfied.” Cameron Kelsall reviews.
Real-life couple Nadia Bowers and Corey Stoll take different approaches to the Macbeths in John Doyle’s tragi-comic production. Maya Phillips reviews.
Sure the production is a people-pleaser, but Nicole Serratore wants you to focus on Tammy Blanchard and no one else.
Harvey Fierstein gives a warm portrayal of legendary political figure Bella Abzug, while challenging the audience to consider some uncomfortable political truths of today. Joey Sims reviews.
A gripping production of Brian Friel’s interlaced monologues. Patrick Maley reviews.
Brazillian director Christiane Jatahy brings her theatre-and-film adaptation of Chekhov’s “Three Sisters” to BAM in an excavation of three women’s psyches. Lane Williamson reviews.
David Byrne’s intimate theatrical concert speaks to trying to do the best you can do in these brutal times. Kev Berry reviews
Ntozake Shange’s choreopoem offers serious beauty against an awful world in a joyous production at The Public. Juan Ramirez reviews.