With intimacy and intensity, Riz Ahmed performs a personal gig-storytelling show that looks at the complexities of post-colonial identity. Nicole Serratore reviews.
A short film sequel to a film noir stage show set during a fictional plague now mirrors our real one. Nicole Serratore reviews.
Writer Geoff Sobelle and composer Pamela Z take us on a sonic journey through Times Square, from its origins to its present. Lane Williamson reviews.
An in-person visual and audio installation transports the audience into the waters of the Gulf Coast. Lane Williamson reviews.
What does it mean to live our lives on the backwards timeline of Instagram? Loren Noveck reviews.
A gathering of absent family by proxy jumpstarts an important conversation about Middle Eastern representation and humanity. Nicole Serratore reviews.
An excellent group of poems and dramatic scenes about forced migration wants to break free of its Zoom box. Juan A. Ramirez reviews.
Under the Radar presents a “Marxist Lynchian nightmare” from Chilean company Teatro Anónimo that meets the anxieties of our time. Juan A. Ramirez reviews.
A new work by 600 Highwaymen as part of the Under the Radar festival asks strangers on a phone call to share with each other. Daniel Krane reviews.
Christina Anderson’s script and Lucie Tiberghien’s direction combine with brilliant design elements into an extremely well-executed piece of digital theater. Loren Noveck reviews.