Director Lileana Blain-Cruz finds the delicate beauty in Alice Birch’s intricately woven portrait of despair. Loren Noveck reviews.
Jeremy Jordan bares his soul in a new cabaret show dedicated to unpacking the past and making room for the future. Lane Williamson reviews.
Using aliens as metaphor, Chilean company Bonobo create a cerebral but uneven conversation around immigration and othering. Alicia Ramirez reviews.
A creative retelling of an old tale performed with verve and playfully written by Donnetta Lavinia Grays. Patrick Maley reviews.
A roommate comedy from Lily Akerman too frequently skims the surface. Nicole Serratore reviews
Stories that cry out to be told, in a play that doesn’t always succeed in telling them. Loren Noveck reviews.
Ruth Negga stars in this traditional Hamlet which uses a rich visual language but lacks emotional punch. Nicole Serratore reviews.
Bess Wohl’s new play offers laughter and wry commentary on how we treat our elders but some unexpected tone shifts too. Juliet Hindell reviews.
The musical adaptation of the Swinging Sixties film doesn’t know what to make of its sexually liberated foursome. Maya Phillips reviews.
Simon Stone turns Euripides’ “Medea” to ash and Rose Byrne crawls from the flames in a reworking at BAM. Lane Williamson reviews.