Tender coming-of-age play with stirring music has grown since its Off-Broadway debut and provides shattering moments and an astonishing central performance. Cameron Kelsall reviews.
Joseph Keckler’s song cycle mixes an operatic baritone voice with pop music harmonies to create a distinctive theatrical beast. Lane Williamson reviews.
With rage, confusion, pain, and release a group of veterans unburden themselves with their stories of the past. Nicole Serratore reviews.
Jack Ferver’s evening of dance that centers queerness, obsession, and pain finds moments of levity and fun while delving deep.
Six translations of Uncle Vanya at the same time. Absurdism ensues. Loren Noveck reviews.
Immersive with a meal, this adaptation of James Joyce is still a bit dry (as was the roast turkey). Cameron Kelsall eats and reviews.
Ink builds a link with artisans of the past, via the materiality of art objects. Curtis Russell reviews.
Ellen Reid’s debut opera explores the before-and-aftermath of a sexual assault to blistering effect. Lane Williamson reviews.
Ripped from the headlines, Is This a Room uses an interrogation to interrogate the nature of power.
Australian burlesque company the Briefs Factory brings their all-male extravaganza to New York City. Richard Patterson reviews.