A modern Chekhovian riff shows that life has not changed much since the nineteenth century. Lane Williamson reviews.
Cheap, overstated, and not improved by recent revisions, only Corbin Bleu brings old-fashioned charm to this classic musical revival. Cameron Kelsall reviews.
Thick layers of sexism and a dull score pervade any chance of this lost Rodgers & Hart musical taking flight. Lane Williamson reviews.
Suzan-Lori Parks negotiates masculinity, race, and the weight of American history. Loren Noveck reviews.
John Guare’s new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
Alice’s rabbit hole reimagined as the London Underground during WWII: Does it work? Loren Noveck isn’t so sure.
Tori Sampson’s new play gives the audiences a mirror to reflect on ideas around black beauty. Ayanna Prescod reviews.
A meditation on abuse, power, and control in performance and beyond. Nicole Serratore reviews.
Can you really f**k someone into being a different person? Layla’s going to try. Loren Noveck reviews.
A cringeworthy world of surprising and complete characters from the singular Phoebe Waller-Bridge. Cameron Kelsall reviews.