A roommate comedy from Lily Akerman too frequently skims the surface. Nicole Serratore reviews
Stories that cry out to be told, in a play that doesn’t always succeed in telling them. Loren Noveck reviews.
Ruth Negga stars in this traditional Hamlet which uses a rich visual language but lacks emotional punch. Nicole Serratore reviews.
Bess Wohl’s new play offers laughter and wry commentary on how we treat our elders but some unexpected tone shifts too. Juliet Hindell reviews.
The musical adaptation of the Swinging Sixties film doesn’t know what to make of its sexually liberated foursome. Maya Phillips reviews.
Simon Stone turns Euripides’ “Medea” to ash and Rose Byrne crawls from the flames in a reworking at BAM. Lane Williamson reviews.
This rarely produced Shakespeare play “illuminates the utter divide between the rich and the poor.” Ran Xia reviews.
Juan Ramirez finds more repetitions of an idea than productive variations on a theme in Eboni Booth’s new play for the Atlantic.
Charles Busch is a legend, but Juan Ramirez finds his newest play a little too retro for its own good.
A silent film rendered on stage by live bodies can’t achieve the effects of its source medium. Lane Williamson reviews.