Is Whirlwind a real maelstrom, or just a tiny squall? Jordan Teicher reviews.
A lack of trust leads to a lack of emotional impact in God Said This. Loren Noveck reviews.
Elevator Repair Service revives their marathon performance where every word of “The Great Gatsby” is performed. Dan O’Neil reviews.
Cake and French absurdism abound in this mashup of five Ionesco plays, brought to the U.S. by the renowned Théâtre de la Ville. Lane Williamson reviews
The Kilbanes retell the story of Philomena and Procne in a concert setting, but the narrative gets lost in the music. Joey Sims reviews.
Six modern women enter a convent in Jessica Dickey’s new play, but the results end up being the same for all. Alicia Kort reviews.
A bio-play about Van Halen, where the men are played by women, examines gender and fandom. Lane Williamson reviews.
This world premiere by Helen Banner is messy and unpredictable – qualities our critic finds intriguing. Joey Sims reviews.
Does this love letter succeed in rectifying the public image of a lost soul mate? Alicia Kort reviews.
A bio-play about Arturo Toscanini is drowned out by its own music. Cameron Kelsall reviews.