John Doyle’s signature minimalism fails to amplify the storytelling in this revival of Marc Blitzstein’s satirical play in music. Lane Williamson reviews.
This world premiere of Jordan E. Cooper’s play offers an uncompromising critique of race in America. Patrick Maley reviews.
Ivo van Hove’s mid-century aesthetic does not connect with the text of this opera by Leoš Janáček. Juliet Hindell reviews.
A compassionate window into the intersection of Chinese culture, queerness, and gender roles. Caroline Cao reviews.
Filled with Buñuelian chutzpah but there’s often there’s too much going on in Little Lord’s latest. Curtis Russell reviews.
Verbose narration takes away from a story of true grit, sacrifice, and loss in this musical about The Temptations. Ayanna Prescod reviews.
John Webster’s 400-year-old revenge tragedy “crackles with wit and insight”–but Cameron Kelsall finds that the production fails to live up to the possibilities.
Heidi Schreck’s flawless, moving play is a how-to guide for political theater. Christian Lewis reviews.
Despite an elegant design and phenomenal acting, this play about Lehman Brothers Holdings focuses on the bankers and ignores the common man. Lane Williamson reviews.
Shana Cooper’s production brings fresh eyes to a well-trod Shakespearean chestnut. Patrick Maley reviews.