Going full maximalism, this live streaming show is skewering satire of white supremacy in gay circles.
An interactive, phone-based show makes you think about celebrity, media, history, and memory. Nicole Serratore reviews.
Brian Friel’s vivid play gains intimacy from the Zoom format and benefits from a shimmering performance by Michael Sheen. Cameron Kelsall reviews.
Andrew Scott, with shades of anger, nonchalance, and self-awareness brings to life a new monologue about a narcissistic absent father and the sons he’s left behind. Nicole Serratore reviews.
Daniel Krane and Joey Sims contemplate what might make virtual theater appointment viewing–and appreciate quarantine theater that’s polished enough to criticize.
A piece of big ideas that feels more about positions than people. Loren Noveck reviews.
A Zoom show about listening and distance offers moments of connection, with a surprise appearance of a cat. Nicole Serratore reviews.
The first piece in an all-virtual Ice Factory festival uses corporate meeting technology to deconstruct the trajectory of a tech start-up. Loren Noveck reviews.
An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
Belarus Free Theatre expands the boundaries of a laptop or tablet with their imaginative livestream experience. Daniel Krane reviews.