Kicking off the new Diamond Series, Kelli O’Hara dazzles at Feinstein’s/54 Below. Lane Williamson reviews.
Two young undocumented immigrants struggle in Martyna Majok’s new play, which leaves Loren Noveck heartsick at the state of the world.
An inventive audio show from comedian-storyteller Hannah Mamalis shifts our perspective. Nicole Serratore reviews.
A climate change opera with a sly libretto is undone by a casually messy staging in an undersized venue. Nicole Serratore reviews.
Antoinette Chinonye Nwandu makes her Broadway debut with a play about two young Black men on a street corner that uses humor to set off devastating booby traps. Daniel Krane reviews.
Delightful leading ladies but the chaos and comedy never seem to reach full throttle in this Shakespearean adaptation. Nicole Serratore reviews.
Emily Skinner lays all her quarantine feelings out on the cabaret table in her new show at Feinstein’s/54 Below. Lane Williamson reviews.
A veritable snowstorm of misogyny falls in this galvanizing installation performance from artist Ragnar Kjartansson. Nicole Serratore reviews.
An audio installation leads you on a walk through Lower Manhattan and offers an invitation to the multiverse of New York City. Nicole Serratore reviews.
Caryl Churchill’s latest goes by in a flash and leaves you wishing for more. Loren Noveck reviews.