Donald Margulies’s new play left our critic feeling like she’d seen it all before. Maya Phillips reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
Cameron Kelsall finds nothing authentic in Carla Ching’s “compendium of clichés.”
Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.
Bess Wohl tackles the spectre of climate change via a film set, but stretches the limits of plausibility along the way. Joey Sims reviews.
The performances still make Arthur Miller’s play rattle albeit in a pedestrian, literal production. Nicole Serratore reviews.
Skillful design is failed by a contrived, thin narrative in this puppet-driven show. Nicole Serratore reviews.
Overpacked with events, Aziza Barnes’s 90-minute new play provides characters worth spending more time with. Ayanna Prescod reviews.
“Pretzels are not a side dish.” The stakes of brown-bag lunches are higher than you might think. Loren Noveck reviews.
Dave Malloy’s new chamber musical features an a cappella group of internet addicts excavating their relationships with the World Wide Web. Caroline Cao reviews.