A Zoom show about listening and distance offers moments of connection, with a surprise appearance of a cat. Nicole Serratore reviews.
The first piece in an all-virtual Ice Factory festival uses corporate meeting technology to deconstruct the trajectory of a tech start-up. Loren Noveck reviews.
An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
Belarus Free Theatre expands the boundaries of a laptop or tablet with their imaginative livestream experience. Daniel Krane reviews.
7 Daughters of Eve and Sibyl Kempson gather worshipers together for a delicate new form of theater-church. Janaki Ranpura gives thanks and praise.
The Homebound Project offers a tasty theatrical buffet with 11 bite-sized shorts by playwrights like Anne Washburn and Ngozi Anyanwu. Daniel Krane sups on the series’ sustenance.
Revisiting a personally pivotal Daniel Kitson show now streaming online, Nicole Serratore visits her past self.
A one-on-one theater theater piece online asks questions about the role of audience and the power of memory. Nicole Serratore reviews.
Joey Sims compares two approaches to Zoom plays that have emerged during quarantine: the more traditional theatre-like style of MCC’s “Beirut” and the scrappier, internet-acknowledging “The Honeycomb Trilogy” from Gideon Productions.
A polished streamed reading shows the possibility of the format, but launches with a dated satirical Mamet play. Cameron Kelsall streams and reviews.