A stage-to-screen adaption of August Wilson’s play, showcases an electric Viola Davis and an incandescent Chadwick Boseman in his final screen appearance. Nicole Serratore reviews.
Stacy Osei-Kuffour’s play may be written for the stage, but as an audio drama critic Cameron Kelsall finds it one of the strongest pivots he’s encountered in the reimagined 2020 theater world.
Norm Lewis brings a hefty dose of holiday cheer to a streaming series from Feinstein’s/54 Below. Lane Williamson reviews.
Amir Nizar Zuabi’s play of a father and son cooking with each other over Zoom is warm but cloying. Nicole Serratore reviews.
Informative and droll, Anna Ziegler’s play about Rosalind Franklin, a scientist undervalued by history, makes for compelling audio drama. Cameron Kelsall reviews.
This audio production of Streetcar starring Audra McDonald has not quite reached its destination. Cameron Kelsall reviews.
Daniel Kitson’s new show is a travelogue through the pandemic offering a bit of a hug. Nicole Serratore is not yet ready for hugs.
An experimental mosaic of images and ideas on America’s crimes against Black men gets a vivid airing in Paul Outlaw’s new work.
This “history play about 2017” punctures liberal certainties, but maybe not enough of them. Loren Noveck reviews.
Loren Noveck doesn’t quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that’s both terrifyingly realistic and absurdly hilarious.