Ripped from the headlines, Is This a Room uses an interrogation to interrogate the nature of power.
Australian burlesque company the Briefs Factory brings their all-male extravaganza to New York City. Richard Patterson reviews.
Superb acting, exceptional production values, and a compelling point of view, but this slice-of-life dramedy by Abby Rosebrock loses its way. Cameron Kelsall reviews.
Sheer magic with shadows: Loren Noveck reviews Manual Cinema’s latest genre-bender.
An opera-theatre adaptation of Sarah Kane’s play is at its most successful when it uses inventive orchestration to transcend the human voice. Lane Williamson reviews.
It may be best to just surrender to Michael Joseph McQuilken’s music-theatre puzzle. Lane Williamson reviews.
Royal Osiris Karaoke Ensemble worship a pizza wheel. Incomplete but calming and serene. Joey Sims meditates and reviews.
Can you create friendship and connection when you are controlling the audience? Nicole Serratore reviews the new play by Nassim Soleimanpour.
Tim and Tyne Daly are cast against type in a play written for them and their real-life sibling rapport doesn’t shine through. Cameron Kelsall reviews.
Peter Brook and Marie-Hélène Estienne ask how a person can atone for their crimes in a moving new theatrical work. Joey Sims reviews.