Breaking down toxic masculinity in the military and life, Cezary Tomaszewski’s dance-driven piece reminds us of the joys of being ourselves. Nicole Serratore reviews.
Misery is abundant in this new opera by Ricky Ian Gordon. Joey Sims reviews.
Talene Monahon’s new play is based on interviews with historical reenactors, but in a moment of political tension, their love of history is called into doubt. Joey Sims reviews.
Exploiting one character’s trauma to help others to their emotional growth, this new musical tokenizes the experiences of vulnerable people. Teresa Kilzi reviews.
This hauntingly beautiful chamber opera by Garrett Fischer and Ellen McLaughlin gets a stunning production at Prototype. Loren Noveck reviews.
Nicole Serratore experienced sensory overload in this storytelling show with where the audience is meant to imagine an imaginary movie.
Ryan J. Haddad performs a cabaret about the theatre troupe he founded as a child. It’s a song for little boys who love musicals and the families who support them. Lane Williamson reviews.
Lady twin astronaut geniuses don’t quite generate a successful launch. Loren Noveck reviews.
This multimedia take on Nick Payne’s play by a Chinese company offers an elegant and quietly compelling production. Alison Walls reviews.
A Palestinian dreamer’s rocket launch to the moon makes for a wonderful premise, but it drags in spots and leans on cliché. Joey Sims reviews.