If you too have wondered since high school how John Proctor got to be the protagonist of a play about the Salem witch trials, then Sarah Ruhl’s new play is for you. Loren Noveck reviews.
In coming to Broadway, a musical trades behind-the-scenes grit for onstage glam. Loren Noveck reviews.
Greek tragedy reimagined by a Singaporean director through two traditional Korean musical art forms, all reminding us of the horrors of war. Loren Noveck reviews.
“Brilliant button-pusher” Bruce Norris wades into murky moral water with his latest play. Cameron Kelsall reviews.
Mia Chung’s new play uses a casting conceit to investigate the question “Do you know who you are?” to devastating effect. Loren Noveck reviews.
Mike Birbiglia makes comedy out of healthcare woes. Juliet Hindell reviews.
A confection of a musical with terrific dancing and enough charm to make you forget how thin the book is. Loren Noveck reviews.
A star-making performance by Casey Likes keeps this musical adaptation on life support. Lane Williamson reviews.
Quiara Alegría Hudes’s adaptation of her memoir is more of an unusually creative literary reading than a play. Loren Noveck reviews.
Michael Arden directs a breathtaking revival of the Jason Robert Brown & Alfred Uhry musical. Lane Williamson reviews.