Caryl Churchill’s latest goes by in a flash and leaves you wishing for more. Loren Noveck reviews.
Death of Classical and the New York Philharmonic team up to present a moving (emotionally and physically) concert across the expanse of Green-Wood Cemetery. Lane Williamson reviews.
Interrogating twirling housewives and the performance of realness, this satirical offering from Fake Friends works best when using its own voice. Nicole Serratore reviews.
Radio play meets lush picture book meets dark fairy tale in Aleshea Harris’s new online work. Loren Noveck reviews.
Twelve playwrights and a team of designers bring pandemic dreams to life in an art installation/immersive theatre odyssey at the Brookfield Place mall. Lane Williamson reviews.
Kristina Wong’s solo show about her mutual aid efforts during the pandemic documents this moment in Asian American history. Nicole Serratore reviews.
A short theater-animated hybrid confronts the history of Commodore Matthew Perry with humor and lamentation. Nicole Serratore reviews.
Guillermo Calderón and his collaborators make a mini-documentary that reflects on Chilean politics, the pandemic, and where theater goes from here. Nicole Serratore reviews.
Through their partnership with Audible, Williamstown Theatre Festival presents the world premiere of Sanaz Toossi’s play, a chronicle of female friendship against the backdrop of the Iranian Revolution. Cameron Kelsall reviews.
Theater in Quarantine offers scarily accurate time travel to those awkward teen years in Honestly Sincere. Nicole Serratore reviews.