The voices of young women are amplified in a series of plays this year in New York.
Starting a new monthly feature, the ExeuntNYC writers make their top picks for December.
Introducing ExeuntNYC, Exeunt Magazine’s dedicated portal for New York theater coverage.
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
New York collaborative theatre heroes The TEAM are staging ‘Primer for a Failed Superpower’, a multi-generational pop concert of protest songs. Nicole Serratore sits in on rehearsals.
As yet another white man is hired to the most prestigious job in US theatre criticism, Exeunt’s New York writers ask when the conversation will really change.
After the furore over a very public dialogue about the New York Times review of Big River, Exeunt’s writers debate whether and how theatremakers should respond to reviews.
Last month, debates on online theatre criticism raged after incendiary pieces by Michael Billington and Matt Trueman. In their wake, critics and academics Duška Radosavljević, Mark Fisher and Karen Fricker hold an international conversation about theatre, democracy and the role of criticality.
The New York critics name the 2016 shows that will linger in their minds well into 2017.
Kev Berry interviews the writer of ‘HOMOS, or Everyone in America’ about his work, ‘gay leaning’, and what makes a writer a writer.