Exeunt NYC’s writers look back at the theater year that was.
Features
26 December 2017
Features • NYC Features
Exeunt NYC Recommends: January
By Exeunt Staff
Select shows to see in January in NYC based on our writers’ top picks of the month.
4 December 2017
Features • NYC Features
Dialogue: Teen Girls Take Center Stage
By Exeunt Staff
The voices of young women are amplified in a series of plays this year in New York.
27 November 2017
Features • Festivals • NYC
Exeunt NYC Recommends: December
By Exeunt Staff
Starting a new monthly feature, the ExeuntNYC writers make their top picks for December.
26 November 2017
Features • NYC
Welcome to Exeunt NYC
By Molly Grogan
Introducing ExeuntNYC, Exeunt Magazine’s dedicated portal for New York theater coverage.
5 September 2017
Features
A Doll’s House Revisited, Remade
By Loren Noveck
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
19 August 2017
Features
The TEAM: “Towards collective liberation”
By Nicole Serratore
New York collaborative theatre heroes The TEAM are staging ‘Primer for a Failed Superpower’, a multi-generational pop concert of protest songs. Nicole Serratore sits in on rehearsals.
10 April 2017
Features • Dialogues and debates
Roundtable: Is Jesse Green the right choice for the New York Times?
By Exeunt Staff
As yet another white man is hired to the most prestigious job in US theatre criticism, Exeunt’s New York writers ask when the conversation will really change.
9 March 2017
Features
Dialogue: Should Theatremakers Respond to Reviews?
By Exeunt Staff
After the furore over a very public dialogue about the New York Times review of Big River, Exeunt’s writers debate whether and how theatremakers should respond to reviews.
9 January 2017
Features
A dialogue on theatre criticism in the digital age
By Alice Saville
Last month, debates on online theatre criticism raged after incendiary pieces by Michael Billington and Matt Trueman. In their wake, critics and academics Duška Radosavljević, Mark Fisher and Karen Fricker hold an international conversation about theatre, democracy and the role of criticality.