Claire Takami Siljedahl reviews Francesca Beard’s new show about truth and deception at Cambridge’s Watch Out Festival.
A new, funny, cross intimacy: Lily James reviews Lucy and Addrian Hutson’s father-and-daughter performance at Cambridge’s Watch Out Festival
Enormous, terrifying power: Lily James writes on taking part in Jamal Harewood’s follow up to The Privileged, a collaborative show about the impact of words.
‘A voice can break, a flyer can fall and glass can shatter.’
Poetics of the uncanny.
Participation and accountability.
Analogue and total documentation.
A tribute to the disappeared.
Towards the light.