Loren Noveck reviews New Georges’ sound play about the electronic music pioneer Daphne Oram.
Molly Grogan reviews the premiere of Mikael Karlsson’s opera in a prison cell, in PROTOTYPE.
Daniel Fish directs this filmed opera about a racially ambiguous B-movie star that Hollywood forgot. Lane Williamson reviews.
Cameron Kelsall reviews “the gay love story opera has been waiting for.”
“A cartoon samurai from the 80s, inexplicably crossed with a teletubby”: Andrew Haydon reviews the ENO’s staging of Wagner that is somewhat marred by costume and set design choices.
“There is a violence at the heart of this opera,” Maddy Costa reviews The Importance of Being Earnest, directed by Ramin Gray.
Amelia Forsbrook discovers a religious revolutionary with a choir boy’s sweetness.
Sapphic skirt pawing and neat duets make the women the stars of this ENO performance.
A review in verse.
An excess of tragic irony.