Greek tragedy reimagined by a Singaporean director through two traditional Korean musical art forms, all reminding us of the horrors of war. Loren Noveck reviews.
The Met premieres another new production of Donizetti’s opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews.
New dimensions are drawn from the characters of Lynn Nottage’s play in an operatic adaptation with music by Ricky Ian Gordon. Patrick J. Maley reviews.
Misery is abundant in this new opera by Ricky Ian Gordon. Joey Sims reviews.
This hauntingly beautiful chamber opera by Garrett Fischer and Ellen McLaughlin gets a stunning production at Prototype. Loren Noveck reviews.
Patrick Maley sees his first opera, the intriguing and baffling Nixon in China.
An opera-theatre adaptation of Sarah Kane’s play is at its most successful when it uses inventive orchestration to transcend the human voice. Lane Williamson reviews.
Loren Noveck reviews New Georges’ sound play about the electronic music pioneer Daphne Oram.
Molly Grogan reviews the premiere of Mikael Karlsson’s opera in a prison cell, in PROTOTYPE.
Daniel Fish directs this filmed opera about a racially ambiguous B-movie star that Hollywood forgot. Lane Williamson reviews.