Ryan J. Haddad performs a cabaret about the theatre troupe he founded as a child. It’s a song for little boys who love musicals and the families who support them. Lane Williamson reviews.
Lady twin astronaut geniuses don’t quite generate a successful launch. Loren Noveck reviews.
A Palestinian dreamer’s rocket launch to the moon makes for a wonderful premise, but it drags in spots and leans on cliché. Joey Sims reviews.
Ambitious gun culture satire sometimes misses the target. Nicole Serratore reviews.
Park Avenue Armory presents a commissioned work from Richard Jones, director of 2017’s smash production of “The Hairy Ape”, but the equation of that success doesn’t add up here. Lane Williamson reviews.
Drag superstars BenDeLaCreme and Jinkx Monsoon ring in the holidays as only they can. Richard Patterson reviews.
A #selfie-filled road trip through a broken America. Loren Noveck reviews.
Juan A. Ramirez is sufficiently spooked by Lucas Hnath’s new play that looks at one woman’s connection to the space between life and death.
Sometimes a stage flub can stick with you. Joey Sims had such an experience with New York theatre stalwart David Rasche in 2013 and again in Rasche’s cabaret debut at Feinstein’s/54 Below.
Juan Ramirez finds Stephen Adly Guirgis’s newest play “intensely watchable” and “refreshingly nonjudgmental.”