Krista Knight’s play looks at a toxic relationship and the shedding of skin to escape it. Ran Xia reviews.
Through spoken-word and song, Zombie Asian Moms explores the comedy and complexity of Asian moms. Caroline Cao reviews.
A tantalizing premise and a historic setting, but the immersive Consumption is lacking in structure.
Joan Didion wrote, “We tell ourselves stories in order to live.” But how do we make sense of a world in disorder? Richard Patterson reviews.
Aleshea Harris’s new play is socially-critical theater with an engaged, energized cast.
Tom Stoppard interrogates whether a thermostat has consciousness potential, and why we have consciousness at all. Loren Noveck reviews.
The dancers are back on the line and as thrilling as ever in a new Encores! production. Lane Williamson reviews.
A volcanic performance by Raúl Esparza outshines the flaws in this revival of Brecht’s allegory play. Lane Williamson reviews.
A shocking twist can’t save a paper-thin script. Loren Noveck reviews.
An ambitious, complex, at times unwieldy play that dramatizes the relationship between humans and the digital sphere as much as the relationships among its characters. Loren Noveck reviews.