A stunning adaptation of Euripides’ play finds contemporary relevance in an outdoor summer production. Juliet Hindell reviews.
David Cale creates a vulnerable, complex journey through his childhood memories in this new musical memoir. Ran Xia reviews.
Encores! Off-Center refashions this musical about the American workforce into a love letter to City Center. Lane Williamson reviews.
Christopher Shinn’s play about two lost souls in the wake of 9/11 has lost some of its power in the decade since its premiere. Teresa Kilzi reviews.
Clubbed Thumb wraps up its annual Summerworks with Daniel Glenn’s raucous play about governmental deadlock and the removal of a severed head. Lane Williamson reviews.
Committed performances cannot rescue a show that loses its way in its own surrealism. Ran Xia reviews.
April Matthis gives a passionate performance as a historic baseball player and a woman out of time in Lydia Diamond’s play. Nicole Serratore reviews.
Michael R. Jackson’s self-referential meta-musical loops around itself a little too much to be fully satisfying, but still offers plenty to think about and enjoy. Alison Walls reviews.
Eclectic array of one-act plays covering tourists, birds, and Jesus introduces a handful of new artists to our critic. Nicole Serratore reviews.
Gordon Dahlquist’s new play for NAATCO is intriguingly intricate but doesn’t quite live up to its potential. Loren Noveck reviews.