Shakespeare in the Park kicks off with an all-black production of this summery rom-com, but leaves our critic wondering, “Can black joy be enough?”. Maya Phillips reviews.
A witty, smart production brings out the absurdity, the poignancy, and the cruelty in Zhu Yi’s rich script . . . and also, there are sheep. Loren Noveck reviews.
Donald Margulies’s new play left our critic feeling like she’d seen it all before. Maya Phillips reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
Cameron Kelsall finds nothing authentic in Carla Ching’s “compendium of clichés.”
Three productions of Sean O’Casey’s plays at the Irish Rep showcase his genius. Pat Maley soaks them all in in one day.
Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.
Bess Wohl tackles the spectre of climate change via a film set, but stretches the limits of plausibility along the way. Joey Sims reviews.
Skillful design is failed by a contrived, thin narrative in this puppet-driven show. Nicole Serratore reviews.
Overpacked with events, Aziza Barnes’s 90-minute new play provides characters worth spending more time with. Ayanna Prescod reviews.