Halley Feiffer misses the point of the original play with her Millennial refashioning of Chekhov’s “Three Sisters.” Cameron Kelsall reviews.
An out-of-work actress becomes a bounty hunter in Joe Iconis’ new musical, but the show doesn’t lean far enough into its absurd premise. Joey Sims reviews.
Maya Phillips finds problems from the foundations on up in this production from German playwright Dea Loher.
Tom Stoppard mashes up Shakespeare, Wittgenstein, underground Czechoslovakian theater, and an investigation into the limits of language, with surprisingly hilarious results. Ran Xia reviews.
Sherie Rene Scott and Norbert Leo Butz perform a show about their lives but this is far from Patti and Mandy in rolling chairs, Gen X edition. Lane Williamson and Nicole Serratore review.
Isaac Gomez’s new piece for Audible punches you in the heart and leaves you with a lump in your throat. Ran Xia reviews.
Elyse Pitock’s new play about one woman’s chronic pain is mired down in its confusing tonal shifts. Joey Sims reviews.
Grace McLean’s chamber musical about Hildegard von Bingen wowed our critic with its unique use of musical textures. Teresa Kilzi reviews.
María Irene Fornés and Al Carmines lampoon the rich, law enforcement, and life in general in this forgotten absurdist musical revived by Encores! Off-Center in a hilarious, affecting production. Lane Williamson reviews.
Winter Miller crafts an investigation into the absurdity of terror. Loren Noveck reviews.