Retrograde gender politics reduce a woman’s life choices to “Heads, you lose; tails, you’re a bitch” in the dated Apologia. Cameron Kelsall reviews.
Glenn Close moves the audience to the heavens in this new play from Jane Anderson. Alicia Kort reviews.
William Jackson Harper’s play only soars when he embraces the stage as an idealogical battleground. Joey Sims reviews.
A nuanced portrait of a troubled marriage against the less-nuanced backdrop of a troubled world. Loren Noveck reviews.
Jomama Jones invites us to imagine our way out of these troubled times. Loren Noveck reviews.
Anne Teresa De Keersmaeker plunges deep into Bach’s music in an inventive evening of modern dance. Lane Williamson reviews.
Heidi Schreck asks whether “equal protection of the laws” is really so equal or protective after all. Loren Noveck reviews.
Director Daniel Fish and company bring a bright clarity and an aching desire to this classic American musical. Alison Walls reviews.
A world without cis men still presents problems in this reimagination of Romeo and Juliet. Nicole Serratore reviews.
Primary Stages presents A.R. Gurney’s trio of plays about “the waning of WASP culture,” but a little more mining is required to bring out his “dark, distinctive voice.” Joey Sims reviews.