Richard Nelson brings his Apply Family back for a Zoom call for our times. Joey Sims reviews the streaming experience.
While the impact of online theater varies, Joey Sims finds there is still connection to be made and even something new to discover.
Mud, laughs, and tears. Nicole Serratore streams Hamlet with Lars Eidinger and she’s not okay.
Hilary Bettis’s new play works best when it trusts its smallness. Joey Sims reviews.
Rebellious and fractious, this new musical never quite pulls off its intentional tonal dissonance. Nicole Serratore reviews.
Celine Song’s new play mixes brutal truth, barnstorming set pieces, and a bit of magic. Joey Sims reviews.
Potent, vivid documentary theater about 2010 West Virginia mine disaster with music by Steve Earle. Jordan G. Teicher reviews.
Juan Ramirez finds no joy in this “lifeless production” of Richard Greenberg’s new play, with a “dire lack of dramatic tension.”
Haruna Lee’s surrealism, satire, and comedy serve a gut-wrenching play on gender, sexuality, immigration and trauma.
Katori Hall returns to Memphis and brings the dialect of the city to simmering life in her new play. Patrick Maley reviews.