A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
Cameron Kelsall finds nothing authentic in Carla Ching’s “compendium of clichés.”
Three productions of Sean O’Casey’s plays at the Irish Rep showcase his genius. Pat Maley soaks them all in in one day.
Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.
Bess Wohl tackles the spectre of climate change via a film set, but stretches the limits of plausibility along the way. Joey Sims reviews.
Skillful design is failed by a contrived, thin narrative in this puppet-driven show. Nicole Serratore reviews.
Overpacked with events, Aziza Barnes’s 90-minute new play provides characters worth spending more time with. Ayanna Prescod reviews.
“Pretzels are not a side dish.” The stakes of brown-bag lunches are higher than you might think. Loren Noveck reviews.
Dave Malloy’s new chamber musical features an a cappella group of internet addicts excavating their relationships with the World Wide Web. Caroline Cao reviews.
Erica Schmidt’s adaptation filters Shakespeare’s “Macbeth” through the lens of murderous teen girls to differing results. Alison Walls reviews.