A fascinating historical look at Asians in America through the eyes of the first Chinese woman to come here. Nicole Serratore reviews
Beckett’s play has never been funnier than in Druid Theatre Company’s production in the White Light Festival. Ran Xia reviews.
Playwright Larissa FastHorse’s New York debut is a “frequently funny, occasionally obvious satire of performative wokeness.” Cameron Kelsall reviews.
A late-career Tennessee Williams play is marked by “a frank discussion of female sexuality and gay liberation” in a revival by Regeneration Theatre Company. Cameron Kelsall reviews.
In Mariah MacCarthy’s play, these dark and depraved teens go to extremes. Juliet Hindell reviews.
The overarching impact is as elusive as the act of remembering in Ngozi Anyanwu’s new play. Kev Berry reviews.
Joey Sims and Lane Williamson dialogue about Samuel D. Hunter’s deeply affecting pair of plays at Rattlestick Playwrights Theatre.
Transport Group premieres a new musical about a young Edna St. Vincent Millay with a lush score by Carmel Dean, but a confused dramatic perspective. Lane Williamson reviews.
Cinematic prince of pessimism Todd Solondz makes an assured theatrical debut at the Flea. Cameron Kelsall reviews.
A sci-fi folk concert offers stellar music and genuine insight into our current political climate. Curtis Russell reviews.