Encores! revives a 1950s political satire, but its contemporary relevance is lacking and it isn’t much fun, either. Lane Williamson reviews.
A look at historic Vietnam War activism takes a detached archival approach. Nicole Serratore reviews.
Capitalism comes for all of us but I did not know it could taste this sweet. Nicole Serratore reviews a live candy commercial for reasons she does not understand.
With a physically raw trio dance, Anne Teresa De Keersmaeker further establishes her choreographic voice in New York. Lane Williamson reviews.
Is Whirlwind a real maelstrom, or just a tiny squall? Jordan Teicher reviews.
A lack of trust leads to a lack of emotional impact in God Said This. Loren Noveck reviews.
Elevator Repair Service revives their marathon performance where every word of “The Great Gatsby” is performed. Dan O’Neil reviews.
Cake and French absurdism abound in this mashup of five Ionesco plays, brought to the U.S. by the renowned Théâtre de la Ville. Lane Williamson reviews
The Kilbanes retell the story of Philomena and Procne in a concert setting, but the narrative gets lost in the music. Joey Sims reviews.
Six modern women enter a convent in Jessica Dickey’s new play, but the results end up being the same for all. Alicia Kort reviews.