Édouard Louis adapts and stars in an adaptation of his memoir about his difficult relationship with his father and the ways the French government has failed. Lane Williamson reviews.
Trish Harnetiaux’s spooky comedy about fractured time, memory, and family blends melancholy with heart. Nicole Serratore reviews.
A Turkish playwright homes in on the intersection of love and activism. Loren Noveck reviews.
Ana Nogueira pens “a love letter to the geeks, queerdos, and obsessives” and their complicated relationship with musical theatre and each other. Cameron Kelsall reviews.
Encores! expands its mission and delivers a fantastic revival of a very popular musical. Lane Williamson reviews.
Another lost classic by Alice Childress returns to the New York stage with a strong message but a muddy production. Loren Noveck reviews.
James McAvoy gives a performance for the history books in Jamie Lloyd’s bold revival. Lane Williamson reviews.
Dominique Morisseau “leaves the confines of realism…and offers a challenging new paradigm” in the second play of her Signature residency. Patrick Maley reviews.
Shaina Taub’s new musical tells a nuanced and complex history of the fight for women’s suffrage. Loren Noveck reviews.
Ars Nova and composer Heather Christian present an indescribable, must-see theatrical experience where eighteen singers & musicians explore our individual and collective relationship to time. Lane Williamson reviews.