Eclectic array of one-act plays covering tourists, birds, and Jesus introduces a handful of new artists to our critic. Nicole Serratore reviews.
Gordon Dahlquist’s new play for NAATCO is intriguingly intricate but doesn’t quite live up to its potential. Loren Noveck reviews.
Buzzing, humming, and full of imagination, this play about a school fight looks at the conflicts of growing up. Ran Xia reviews.
A verbally expressive audience livened up this well-trod play about Queen Elizabeth and Margaret Thatcher. Joey Sims reviews.
Shakespeare in the Park kicks off with an all-black production of this summery rom-com, but leaves our critic wondering, “Can black joy be enough?”. Maya Phillips reviews.
A witty, smart production brings out the absurdity, the poignancy, and the cruelty in Zhu Yi’s rich script . . . and also, there are sheep. Loren Noveck reviews.
Donald Margulies’s new play left our critic feeling like she’d seen it all before. Maya Phillips reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
Cameron Kelsall finds nothing authentic in Carla Ching’s “compendium of clichés.”
Three productions of Sean O’Casey’s plays at the Irish Rep showcase his genius. Pat Maley soaks them all in in one day.