Ghostly troubadours haunt a lighthouse during World War II in a new musical from Kyle Jarrow and Duncan Sheik. Lane Williamson reviews.
Is it soup? Or is it art? And how good is the soup, anyway? Loren Noveck reviews.
Sylvia Khoury’s new play explores the anguishing human costs of the United States’s “Forever War” in Afghanistan. Loren Noveck reviews.
Daniel Krane finds not a lot to hold on to in Enda Walsh’s “brusque and often alienating” new play.
Simon Stephens’ new play focuses on the ordinary life of one woman in Greenwich Village, but what makes the ordinary worth depicting on stage? Lane Williamson reviews.
Erika Dickerson-Dispenza’s award-winning play won’t let us look away from the tragedy of Flint, Michigan. Loren Noveck reviews.
A jumbled production brings down the first rate cast in this revival of Stephen Sondheim and John Weidman’s musical. Lane Williamson reviews.
Hilary Miller and the Bushwick Starr present an incisive, if not groundbreaking, black comedy about workplace violence and robot cats. Loren Noveck reviews.
Jocelyn Bioh takes on the world of Nigerian cinema in her delightful new play. Juliet Hindell reviews.
Simple ingredients add up to “a bare-knuckled punch to the face” in this new work at Soho Rep. Daniel Krane reviews.