With intimacy and intensity, Riz Ahmed performs a personal gig-storytelling show that looks at the complexities of post-colonial identity. Nicole Serratore reviews.
A short film sequel to a film noir stage show set during a fictional plague now mirrors our real one. Nicole Serratore reviews.
What does it mean to live our lives on the backwards timeline of Instagram? Loren Noveck reviews.
A gathering of absent family by proxy jumpstarts an important conversation about Middle Eastern representation and humanity. Nicole Serratore reviews.
A new work by 600 Highwaymen as part of the Under the Radar festival asks strangers on a phone call to share with each other. Daniel Krane reviews.
Christina Anderson’s script and Lucie Tiberghien’s direction combine with brilliant design elements into an extremely well-executed piece of digital theater. Loren Noveck reviews.
Loren Noveck doesn’t quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that’s both terrifyingly realistic and absurdly hilarious.
Going full maximalism, this live streaming show is skewering satire of white supremacy in gay circles.
An interactive, phone-based show makes you think about celebrity, media, history, and memory. Nicole Serratore reviews.
Daniel Krane and Joey Sims contemplate what might make virtual theater appointment viewing–and appreciate quarantine theater that’s polished enough to criticize.