Loren Noveck doesn’t quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that’s both terrifyingly realistic and absurdly hilarious.
Going full maximalism, this live streaming show is skewering satire of white supremacy in gay circles.
An interactive, phone-based show makes you think about celebrity, media, history, and memory. Nicole Serratore reviews.
Daniel Krane and Joey Sims contemplate what might make virtual theater appointment viewing–and appreciate quarantine theater that’s polished enough to criticize.
A piece of big ideas that feels more about positions than people. Loren Noveck reviews.
A Zoom show about listening and distance offers moments of connection, with a surprise appearance of a cat. Nicole Serratore reviews.
The first piece in an all-virtual Ice Factory festival uses corporate meeting technology to deconstruct the trajectory of a tech start-up. Loren Noveck reviews.
An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
The George Floyd protests opened up theater lobbies and has prompted a new dialogue about theater and race. Joey Sims investigates.
Stage managers pivot to Zoom. Joey Sims reports on how this job has shifted in pandemic times.