Despite an elegant design and phenomenal acting, this play about Lehman Brothers Holdings focuses on the bankers and ignores the common man. Lane Williamson reviews.
Shana Cooper’s production brings fresh eyes to a well-trod Shakespearean chestnut. Patrick Maley reviews.
A modern Chekhovian riff shows that life has not changed much since the nineteenth century. Lane Williamson reviews.
Cheap, overstated, and not improved by recent revisions, only Corbin Bleu brings old-fashioned charm to this classic musical revival. Cameron Kelsall reviews.
Thick layers of sexism and a dull score pervade any chance of this lost Rodgers & Hart musical taking flight. Lane Williamson reviews.
John Guare’s new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
Alice’s rabbit hole reimagined as the London Underground during WWII: Does it work? Loren Noveck isn’t so sure.
Tori Sampson’s new play gives the audiences a mirror to reflect on ideas around black beauty. Ayanna Prescod reviews.
A cringeworthy world of surprising and complete characters from the singular Phoebe Waller-Bridge. Cameron Kelsall reviews.
This high school set new Joe Iconis musical brings a bonkers sci-fi energy to Broadway