Can the neon lights of Broadway make it possible for us to separate the less salubrious aspects of Michael Jackson’s life from his musical legacy? Juliet Hindell reviews.
The Tyrones face the opioid crisis and Covid-19 in Robert O’Hara’s contemporary production. Cameron Kelsall reviews.
Young love ignores the consequences in a thrilling new play by Rita Kalnejais. Lane Williamson reviews.
Ghostly troubadours haunt a lighthouse during World War II in a new musical from Kyle Jarrow and Duncan Sheik. Lane Williamson reviews.
Is it soup? Or is it art? And how good is the soup, anyway? Loren Noveck reviews.
A gender-swapped Company leaves the leading lady without a voice. Nicole Serratore reviews.
Cary Grant, Aldous Huxley, and Clare Boothe Luce walk into a bar…except the bar is a Malibu estate and they’re all on acid. Loren Noveck finds the hook irresistible, but the execution less interesting.
Though it may be a crowd-pleasing romp, this adaptation of the beloved film feels curiously dated. Juliet Hindell reviews.
Sylvia Khoury’s new play explores the anguishing human costs of the United States’s “Forever War” in Afghanistan. Loren Noveck reviews.
Daniel Krane finds not a lot to hold on to in Enda Walsh’s “brusque and often alienating” new play.