Ivo van Hove’s mid-century aesthetic does not connect with the text of this opera by Leoš Janáček. Juliet Hindell reviews.
A compassionate window into the intersection of Chinese culture, queerness, and gender roles. Caroline Cao reviews.
Verbose narration takes away from a story of true grit, sacrifice, and loss in this musical about The Temptations. Ayanna Prescod reviews.
John Webster’s 400-year-old revenge tragedy “crackles with wit and insight”–but Cameron Kelsall finds that the production fails to live up to the possibilities.
Heidi Schreck’s flawless, moving play is a how-to guide for political theater. Christian Lewis reviews.
Despite an elegant design and phenomenal acting, this play about Lehman Brothers Holdings focuses on the bankers and ignores the common man. Lane Williamson reviews.
Shana Cooper’s production brings fresh eyes to a well-trod Shakespearean chestnut. Patrick Maley reviews.
A modern Chekhovian riff shows that life has not changed much since the nineteenth century. Lane Williamson reviews.
Cheap, overstated, and not improved by recent revisions, only Corbin Bleu brings old-fashioned charm to this classic musical revival. Cameron Kelsall reviews.
Thick layers of sexism and a dull score pervade any chance of this lost Rodgers & Hart musical taking flight. Lane Williamson reviews.