Philippe Quesne’s Vivarium Studio inflates its park of dreams at Under the Radar. Molly Grogan reviews.
Anisa George asks us where to draw the line between romantic and horrific. Robert Norman reviews.
Joseph Charnitski reviews “actorvist” Keith A. Wallace’s solo reflection on the value of Black lives in America today.
Molly Grogan reviews a jewel in the rough from Nikki Appino and Saori Tsukada.
Molly Grogan reviews 600 Highwaymen’s invitation to be together.
Molly Grogan looks for possibility in endlessly repeating loops.
Manuel Cinema’s slide projection poetry dazzles. Molly Grogan reviews.
Jordan G. Teicher reviews New Yiddish Rep’s revival of this once “obscene” play.
Seth Simons reviews a problematic tribute to a problematic midcentury entertainer.
Dear Evan Hansen, a new musical by Pasek & Paul, speaking to the invisible teen in all of us.