Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.
Bess Wohl tackles the spectre of climate change via a film set, but stretches the limits of plausibility along the way. Joey Sims reviews.
The performances still make Arthur Miller’s play rattle albeit in a pedestrian, literal production. Nicole Serratore reviews.
Skillful design is failed by a contrived, thin narrative in this puppet-driven show. Nicole Serratore reviews.
Overpacked with events, Aziza Barnes’s 90-minute new play provides characters worth spending more time with. Ayanna Prescod reviews.
“Pretzels are not a side dish.” The stakes of brown-bag lunches are higher than you might think. Loren Noveck reviews.
Dave Malloy’s new chamber musical features an a cappella group of internet addicts excavating their relationships with the World Wide Web. Caroline Cao reviews.
Erica Schmidt’s adaptation filters Shakespeare’s “Macbeth” through the lens of murderous teen girls to differing results. Alison Walls reviews.
A dusty Jule Styne musical from 1947 inspired later works, but fails to make a case for its second life. Lane Williamson reviews.
Absurd and kooky, but an effective transposition of Macbeth to a boxing ring by Japanese company Kaimaku Pennant Race. Nicole Serratore reviews