“Blood-spattered satires of über-masculinity”: Nicole Serratore review the musical adaptation of Bret Easton Ellis’ novel.
Where’s the existential hokum? Seth Simons reviews Toast as part of Brits Off Broadway.
“Feverish and claustrophobic”: Loren Noveck reviews the staging of a lesser-known Tennessee Williams play.
The Young Vic’s 2014 production of “Streetcar” sounds a little tone deaf in its US premiere but strikes a nerve with its battle of the sexes, where Gillian Anderson delivers a Blanche DuBois we can root for.
“Worth celebrating”: Nicole Serratore reviews the new Broadway musical with an all-female creative team.
“A fantastical tale about a family who live forever that does not deliver the on-stage magic needed to make this musical immortal.”
The US premiere of “A Girl is a Half-formed Thing” continues the Corn Exchange’s winning streak with Eimear McBride’s scorching novel.
Soho Rep. gets comfy with Alice Birch’s feminist revolution.
Rafael Spregelburd opens Pandora’s box with SPAM. It couldn’t be more fun watching disaster strike.
The Mobile Unit of NYC upholds the belief that Shakespeare belongs to everyone.