A transgender autobiography that affirms identity but doesn’t always satisfy theatrically. Loren Noveck reviews.
Two Strindberg plays, “The Dance of Death” adapted by Conor McPherson and “Mies Julie” adapted by Yaël Farber, yield different results in new productions at Classic Stage.
Eliza Bent’s audacious work embraces puns and play. With her new show taking flight this month, Jess Barbagallo observes and reports.
Encores! revives a 1950s political satire, but its contemporary relevance is lacking and it isn’t much fun, either. Lane Williamson reviews.
A look at historic Vietnam War activism takes a detached archival approach. Nicole Serratore reviews.
Capitalism comes for all of us but I did not know it could taste this sweet. Nicole Serratore reviews a live candy commercial for reasons she does not understand.
With a physically raw trio dance, Anne Teresa De Keersmaeker further establishes her choreographic voice in New York. Lane Williamson reviews.
Ethan Hawke and Paul Dano give expertly realized performances of performed manhood in Sam Shepard’s famous play. Cameron Kelsall reviews.
Is Whirlwind a real maelstrom, or just a tiny squall? Jordan Teicher reviews.
A lack of trust leads to a lack of emotional impact in God Said This. Loren Noveck reviews.