Dante or Die’s immersive, site-specific solo play is a powerful meditation on technology and mortality. Lane Williamson reviews.
A sly, subtle trip through repressed queer desire gives a peek at the orbits of women around each other. Nicole Serratore reviews.
Even with a musical team from the band The National and Peter Dinklage, do we need another Cyrano? Jordan Teicher ponders.
A wild dinner party skewers misogyny – quite literally – in Radiohole’s new play. Juliet Hindell reviews.
The latest entry in Richard Nelson’s “Rhinebeck Panorama” is missing the alchemy that made the previous plays so successful. Lane Williamson reviews.
Dead Centre presents a meditation on death and grief with a remarkable performance from a young actor. Nicole Serratore reviews.
Adam Rapp’s Broadway debut is masterfully acted, directed, and designed, but the play itself may leave you feeling “impressed and unsatisfied.” Cameron Kelsall reviews.
Real-life couple Nadia Bowers and Corey Stoll take different approaches to the Macbeths in John Doyle’s tragi-comic production. Maya Phillips reviews.
Sure the production is a people-pleaser, but Nicole Serratore wants you to focus on Tammy Blanchard and no one else.
This November, Alanis is on Broadway. Samuel D. Hunter is at Lincoln Center. And Dolly’s back in town (well, sort of). Check out our critics’ picks!