Anne Teresa De Keersmaeker plunges deep into Bach’s music in an inventive evening of modern dance. Lane Williamson reviews.
Heidi Schreck asks whether “equal protection of the laws” is really so equal or protective after all. Loren Noveck reviews.
Director Daniel Fish and company bring a bright clarity and an aching desire to this classic American musical. Alison Walls reviews.
A world without cis men still presents problems in this reimagination of Romeo and Juliet. Nicole Serratore reviews.
Primary Stages presents A.R. Gurney’s trio of plays about “the waning of WASP culture,” but a little more mining is required to bring out his “dark, distinctive voice.” Joey Sims reviews.
Conor McPherson employs Bob Dylan songs to thrilling effect in a new Depression-era musical. Lane Williamson reviews.
Richard Bean’s The Nap is a mostly funny comedy that loses it’s mirth with tasteless trans jokes. Kev Berry reviews.
This Shakespearean pub-crawl is smart, light-hearted, and provides rigorous engagement with the material. Patrick Maley reviews.
A late-career Tennessee Williams play features hallmarks of his earlier work, but still brings some originality. Lane Williamson reviews.
Gunnar Montana’s free-spirited fun house, Kink Haüs, has room to grow. Richard Patterson reviews.