Juliet Hindell finds the stunts captivating, but the interpretation of a classic puzzling and without the magic and mystery of the original.
Dominique Morisseau “leaves the confines of realism…and offers a challenging new paradigm” in the second play of her Signature residency. Patrick Maley reviews.
Shaina Taub’s new musical tells a nuanced and complex history of the fight for women’s suffrage. Loren Noveck reviews.
Ars Nova and composer Heather Christian present an indescribable, must-see theatrical experience where eighteen singers & musicians explore our individual and collective relationship to time. Lane Williamson reviews.
Daniel Krane felt the beating heart of this show, but it left him craving more love poems and less enigma.
Billy Porter directs and revises a concert production of this 1997 musical with varying degrees of success, but a standout performance by Ledisi is worth any bumps along the way. Lane Williamson reviews.
Basil Twist’s simple, haunting puppets embody ancient Chinese myths. Loren Noveck reviews.
Exposition bogs down a play about the neuroscience of memory and the persistence of trauma. Loren Noveck reviews.
Lloyd Suh’s comedy exposes the hollow promise at the root of shallow theatrical representation. Daniel Krane reviews.
Hansol Jung’s new play at Soho Rep asks what it means to make a family, and how we live when that goes wrong. Loren Noveck reviews.