Joey Sims and Lane Williamson dialogue about Samuel D. Hunter’s deeply affecting pair of plays at Rattlestick Playwrights Theatre.
Transport Group premieres a new musical about a young Edna St. Vincent Millay with a lush score by Carmel Dean, but a confused dramatic perspective. Lane Williamson reviews.
Cinematic prince of pessimism Todd Solondz makes an assured theatrical debut at the Flea. Cameron Kelsall reviews.
This new play from Jez Butterworth, an epic tapestry set in Northern Ireland, starts to unravel once you pick at the threads. Dan O’Neil reviews.
A sci-fi folk concert offers stellar music and genuine insight into our current political climate. Curtis Russell reviews.
Retrograde gender politics reduce a woman’s life choices to “Heads, you lose; tails, you’re a bitch” in the dated Apologia. Cameron Kelsall reviews.
Glenn Close moves the audience to the heavens in this new play from Jane Anderson. Alicia Kort reviews.
William Jackson Harper’s play only soars when he embraces the stage as an idealogical battleground. Joey Sims reviews.
A nuanced portrait of a troubled marriage against the less-nuanced backdrop of a troubled world. Loren Noveck reviews.
Jomama Jones invites us to imagine our way out of these troubled times. Loren Noveck reviews.