Will Eno’s latest play shuffles the deck of life and the cards come up with varying degrees of satisfaction. Dan O’Neil reviews.
Bedlam puts the actors where the audience would be in this gripping revival of Arthur Miller’s play. Patrick Maley reviews.
A real life attack of sexual violence is refracted through multiple perspectives and the distance of memory in this adaptation of an Édouard Louis novel from the Schaubühne Berlin. Juan A. Ramirez reviews.
A stage adaptation of Édouard Louis’ queer coming of age novel brings up our writer’s own childhood memories. Joey Sims reviews.
Theatre Row gets reinvented with new residencies, a staff change, and a facelift. Joey Sims investigates these changes.
Director Sammi Cannold’s vision works overtime to erase some of the ingrained misogyny in this classic musical. It’s mostly successful and features a revelatory performance from Solea Pfeiffer. Lane Williamson reviews.
A high energy performance from Adrienne Warren and delectable choreography provide the dazzle in this biographical musical. Ayanna Prescod reviews.
Live cooking notwithstanding, Theresa Rebeck’s newest play serves a plateful of stale tropes and underseasoned ideas about masculinity. Teresa Kilzi reviews.
Anna Deveare Smith was one of the creators of verbatim theater. Maya Phillips finds the fire of her 1992 play still intact in this revival performed by Michael Benjamin Washington.
This immersive theater piece tackles the weight of 400 years of black American history with both humor and horror. Loren Noveck reviews.