Nancy Reagan and a tornado both descend on a small Kansas town, but only one of them causes destruction in Rat Queen Theatre Company’s new play. Lane Williamson reviews.
What do you do after the show that blows up the very premises of your chosen art form? A show named after your dog, of course. Loren Noveck reviews.
This slice-of-life play about everyday women benefits from witty writing and a warm performance from Marsha Mason, but needs more guidance. Juliet Hindell reviews.
Raúl Esparza and Brandon Uranowitz deliver magnetic performances in the Encores! Off-Center revival of Stephen Sondheim and John Weidman’s musical about a con man and his brother. Lane Williamson reviews.
Halley Feiffer misses the point of the original play with her Millennial refashioning of Chekhov’s “Three Sisters.” Cameron Kelsall reviews.
An out-of-work actress becomes a bounty hunter in Joe Iconis’ new musical, but the show doesn’t lean far enough into its absurd premise. Joey Sims reviews.
Maya Phillips finds problems from the foundations on up in this production from German playwright Dea Loher.
Tom Stoppard mashes up Shakespeare, Wittgenstein, underground Czechoslovakian theater, and an investigation into the limits of language, with surprisingly hilarious results. Ran Xia reviews.
Sherie Rene Scott and Norbert Leo Butz perform a show about their lives but this is far from Patti and Mandy in rolling chairs, Gen X edition. Lane Williamson and Nicole Serratore review.
Isaac Gomez’s new piece for Audible punches you in the heart and leaves you with a lump in your throat. Ran Xia reviews.