A Turkish playwright homes in on the intersection of love and activism. Loren Noveck reviews.
Ana Nogueira pens “a love letter to the geeks, queerdos, and obsessives” and their complicated relationship with musical theatre and each other. Cameron Kelsall reviews.
Encores! expands its mission and delivers a fantastic revival of a very popular musical. Lane Williamson reviews.
Another lost classic by Alice Childress returns to the New York stage with a strong message but a muddy production. Loren Noveck reviews.
Selina Fillinger’s raucous comedy brings lots of needed laughs. Lane Williamson reviews.
Thornton Wilder’s ever-relevant play returns in a powerful, but inconsistent revival at Lincoln Center. Cameron Kelsall reviews.
The Met premieres another new production of Donizetti’s opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews.
James McAvoy gives a performance for the history books in Jamie Lloyd’s bold revival. Lane Williamson reviews.
Juliet Hindell finds the stunts captivating, but the interpretation of a classic puzzling and without the magic and mystery of the original.
Dominique Morisseau “leaves the confines of realism…and offers a challenging new paradigm” in the second play of her Signature residency. Patrick Maley reviews.