Raising questions about fact and truth without answering any, this new play starring Daniel Radcliffe functions like a half-written sentence. Alicia Kort reviews.
Comedy legend Elaine May cannot not save Kenneth Lonergan’s pandering look at dementia, caretaking, and family. Cameron Kelsall reviews.
This new play from Jez Butterworth, an epic tapestry set in Northern Ireland, starts to unravel once you pick at the threads. Dan O’Neil reviews.
Richard Bean’s The Nap is a mostly funny comedy that loses it’s mirth with tasteless trans jokes. Kev Berry reviews.
We convene a critics panel to discuss “the beat” and how it’s rendered in the new Go-Go’s musical Head Over Heels.
You’re better off sticking with your worn out VHS copy of the film than delving into this new musical. Nicole Serratore reviews
Moments of comedy and a talented cast cannot make this regressive and generic Broadway musical vital. Alison Walls reviews.
A sympathetic portrait of straight white men ends up one-note. Patrick Maley reviews.
Condola Rashad makes for a deeply human and charismatic Saint Joan. Alex Barasch reviews.
It crams in too much and skips salient issues but this jukebox musical still ends up being a lot of fun.