This new play from Jez Butterworth, an epic tapestry set in Northern Ireland, starts to unravel once you pick at the threads. Dan O’Neil reviews.
Richard Bean’s The Nap is a mostly funny comedy that loses it’s mirth with tasteless trans jokes. Kev Berry reviews.
We convene a critics panel to discuss “the beat” and how it’s rendered in the new Go-Go’s musical Head Over Heels.
You’re better off sticking with your worn out VHS copy of the film than delving into this new musical. Nicole Serratore reviews
Moments of comedy and a talented cast cannot make this regressive and generic Broadway musical vital. Alison Walls reviews.
A sympathetic portrait of straight white men ends up one-note. Patrick Maley reviews.
Condola Rashad makes for a deeply human and charismatic Saint Joan. Alex Barasch reviews.
It crams in too much and skips salient issues but this jukebox musical still ends up being a lot of fun.
Dizzying and dazzling, this superb Stoppard revival from director Patrick Marber zips along.
Harry Potter and the Cursed Child casts a spell. But Kev Berry asks at what cost?