Moments of comedy and a talented cast cannot make this regressive and generic Broadway musical vital. Alison Walls reviews.
A sympathetic portrait of straight white men ends up one-note. Patrick Maley reviews.
Condola Rashad makes for a deeply human and charismatic Saint Joan. Alex Barasch reviews.
It crams in too much and skips salient issues but this jukebox musical still ends up being a lot of fun.
Dizzying and dazzling, this superb Stoppard revival from director Patrick Marber zips along.
Harry Potter and the Cursed Child casts a spell. But Kev Berry asks at what cost?
Eliza Dolittle is a feisty, self-aware hero in this revival of My Fair Lady. Nicole Serratore reviews.
Jack O’Brien’s production choices complicate an already fraught classic in 2018. Ayanna Prescod reviews.
Nicole Serratore wonders why they revived this creaky play about a deaf woman and her relationship with her hearing teacher.
Glenda Jackson makes a meal of Edward Albee’s play about life and death. Cameron Kelsall reviews.