Trapped in a bad date that won’t end, Terrence McNally’s play tests our patience. Nicole Serratore resists and reviews.
The performances still make Arthur Miller’s play rattle albeit in a pedestrian, literal production. Nicole Serratore reviews.
Anaïs Mitchell’s new musical is a moving drama full of heartbreak and hope.
While it may not be the story many want to hear right now, Tootsie is the most fun Curtis Russell has had at the theater in months.
Madcap spectacle, a killer set, and some fine performances dominate this movie-to-musical product of the Broadway-industrial complex. Jordan Teicher reviews
A cracking good story of the rebirth of British newspaper The Sun and the pervasive influence of Rupert Murdoch. Juliet Hindell reviews.
There is no spark in this shallow revival of the calcified Lanford Wilson play. Cameron Kelsall reviews.
Lucas Hnath’s latest play is an intimate – but wholly invented – look at the power couple’s private life, circa 2008. Sandy MacDonald reviews.
Verbose narration takes away from a story of true grit, sacrifice, and loss in this musical about The Temptations. Ayanna Prescod reviews.
Heidi Schreck’s flawless, moving play is a how-to guide for political theater. Christian Lewis reviews.