Patrick Maley sees his first opera, the intriguing and baffling Nixon in China.
Three productions of Sean O’Casey’s plays at the Irish Rep showcase his genius. Pat Maley soaks them all in in one day.
Anaïs Mitchell’s new musical is a moving drama full of heartbreak and hope.
This world premiere of Jordan E. Cooper’s play offers an uncompromising critique of race in America. Patrick Maley reviews.
Shana Cooper’s production brings fresh eyes to a well-trod Shakespearean chestnut. Patrick Maley reviews.
This Shakespearean pub-crawl is smart, light-hearted, and provides rigorous engagement with the material. Patrick Maley reviews.
A sympathetic portrait of straight white men ends up one-note. Patrick Maley reviews.
Patrick Maley reviews Antoinette Nwandu’s urgent call to action against police killings of black men.
With a nod to the theatrical past, playwright Dominque Morisseau pushes the form forward. Patrick Maley reviews.
Matthew Broderick is the odd man out at Conor McPherson’s party. Patrick Maley reviews.