Loren Noveck reviews Branden Jacobs-Jenkins’ modern spin on a medieval morality play.
Loren Noveck finds this Royal Court production of Caryl Churchill “unresolved but oddly satisfying.”
Basil Kreimendahl’s new play about Vietnam, memory and manhood. Loren Noveck reviews.
Loren Novek reviews the transfer of Phyllida Lloyd’s The Tempest to St Ann’s Warehouse.
Adam Bock sets us up, to better upend expectations. Loren Noveck reviews.
Loren Noveck discovers “a darkly luminous meditation on freedom, captivity, mortality, and memory.”
Loren Noveck suits up to review Sarah DeLappe’s “planet of teenage girls” in NYC.
“Feverish and claustrophobic”: Loren Noveck reviews the staging of a lesser-known Tennessee Williams play.
Loren Noveck reviews Anne Washburn’s “unsettling and magically strange” new play in New York.
“It’s imperfect, of course, but its imperfections…are part of the whole.” Loren Noveck reviews Pan Pan Theatre Company’s take on Chekhov.