Loren Noveck reviews Susan Soon He Stanton’s wryly funny depiction of modern life.
Loren Noveck reviews Mabou Mines’ source-crammed riff on The Glass Menagerie and Grand Guignol.
Billy Crudup plays a complicated nobody. Loren Noveck isn’t sure how much to believe him.
Loren Noveck experiences the limits of unchecked invention.
Loren Noveck reviews Richard Nelson’s play about Joseph Papp and the politics and egos of theater.
Loren Noveck discovers a previously overlooked reading of As You Like It.
Loren Noveck finds unexpected emotion in Monica Bill Barnes’ newest dance-theater work.
Loren Noveck immerses herself in a full-on simulation of a K-pop “factory” and comes out humming.
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
Loren Noveck reviews a play about its own impossibility to be, in the face of the impossibly huge challenge of climate change.