Loren Noveck reviews the NYC transfer of South Africa’s Baxter Theater’s Edinburgh hit.
Loren Noveck reviews New Georges’ sound play about the electronic music pioneer Daphne Oram.
Loren Noveck reviews Adrienne Kennedy’s first new play in a decade.
Loren Noveck reviews a Cuban retelling of Antigone by Havana’s Teatro El Público.
Loren Noveck reviews Susan Soon He Stanton’s wryly funny depiction of modern life.
Loren Noveck reviews Mabou Mines’ source-crammed riff on The Glass Menagerie and Grand Guignol.
Billy Crudup plays a complicated nobody. Loren Noveck isn’t sure how much to believe him.
Loren Noveck experiences the limits of unchecked invention.
Loren Noveck reviews Richard Nelson’s play about Joseph Papp and the politics and egos of theater.
Loren Noveck discovers a previously overlooked reading of As You Like It.