What does it mean to live our lives on the backwards timeline of Instagram? Loren Noveck reviews.
Christina Anderson’s script and Lucie Tiberghien’s direction combine with brilliant design elements into an extremely well-executed piece of digital theater. Loren Noveck reviews.
This “history play about 2017” punctures liberal certainties, but maybe not enough of them. Loren Noveck reviews.
Loren Noveck doesn’t quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that’s both terrifyingly realistic and absurdly hilarious.
A piece of big ideas that feels more about positions than people. Loren Noveck reviews.
The first piece in an all-virtual Ice Factory festival uses corporate meeting technology to deconstruct the trajectory of a tech start-up. Loren Noveck reviews.
Loren Noveck muses on capturing a little bit of live theater’s spark in Instagram monologues.
Big, bold directorial choices don’t enhance Young Jean Lee’s intimate musical. Loren Noveck reviews.
Director Lileana Blain-Cruz finds the delicate beauty in Alice Birch’s intricately woven portrait of despair. Loren Noveck reviews.
Stories that cry out to be told, in a play that doesn’t always succeed in telling them. Loren Noveck reviews.