Simon Stephens’ new play focuses on the ordinary life of one woman in Greenwich Village, but what makes the ordinary worth depicting on stage? Lane Williamson reviews.
A jumbled production brings down the first rate cast in this revival of Stephen Sondheim and John Weidman’s musical. Lane Williamson reviews.
The third concert in 54 Below’s Diamond Series features the mega talent Megan Hilty in a career retrospective that has our critic remembering the first time he saw her, and every time since. Lane Williamson reviews.
Carolee Carmello brings her incredible talent to a New Jersey revival of Jason Robert Brown’s song cycle, but the piece is starting to show its age. Lane Williamson reviews.
Laura Benanti brings her jazz-inflected album and signature sense of humor to the stage in the second concert of Feinstein’s/54 Below’s Diamond Series. Lane Williamson reviews.
Kicking off the new Diamond Series, Kelli O’Hara dazzles at Feinstein’s/54 Below. Lane Williamson reviews.
Emily Skinner lays all her quarantine feelings out on the cabaret table in her new show at Feinstein’s/54 Below. Lane Williamson reviews.
Death of Classical and the New York Philharmonic team up to present a moving (emotionally and physically) concert across the expanse of Green-Wood Cemetery. Lane Williamson reviews.
Twelve playwrights and a team of designers bring pandemic dreams to life in an art installation/immersive theatre odyssey at the Brookfield Place mall. Lane Williamson reviews.
Writer Geoff Sobelle and composer Pamela Z take us on a sonic journey through Times Square, from its origins to its present. Lane Williamson reviews.