A volcanic performance by Raúl Esparza outshines the flaws in this revival of Brecht’s allegory play. Lane Williamson reviews.
Harvey Fierstein’s bold play, Torch Song, is diluted by the watershed of history . Lane Williamson reviews.
Transport Group premieres a new musical about a young Edna St. Vincent Millay with a lush score by Carmel Dean, but a confused dramatic perspective. Lane Williamson reviews.
Anne Teresa De Keersmaeker plunges deep into Bach’s music in an inventive evening of modern dance. Lane Williamson reviews.
Conor McPherson employs Bob Dylan songs to thrilling effect in a new Depression-era musical. Lane Williamson reviews.
A late-career Tennessee Williams play features hallmarks of his earlier work, but still brings some originality. Lane Williamson reviews.
Despite a flawed framing device, David Staller dusts off George Bernard Shaw’s play for a vigorous interpretation. Lane Williamson reviews.
Lane Williamson reviews The Public Works’ celebratory production, anchored by Shaina Taub’s inventive score and lyrics.
Lane Williamson considers The Bengsons’ “complicated relationship with the truth” in their newest musical.
Lane Williamson takes a deep-dive into the National Theatre’s production of Angels in America on Broadway.