Enda Walsh brilliantly translates a complicated postmodern novel about grief to the stage. Kev Berry reviews.
Kev Berry gets angry and grapples with questions of artistic responsibility.
Thrilling choreography, catchy tunes, and a warmhearted message, but a watered-down idea of queerness lurks in The Prom.
The overarching impact is as elusive as the act of remembering in Ngozi Anyanwu’s new play. Kev Berry reviews.
Richard Bean’s The Nap is a mostly funny comedy that loses it’s mirth with tasteless trans jokes. Kev Berry reviews.
Kev Berry reflects on Penny Arcade’s Bitch! Dyke! Faghag! Whore! at Performance Space New York.
Harry Potter and the Cursed Child casts a spell. But Kev Berry asks at what cost?
Jimmy Buffett’s jukebox musical may bring sunshine and joy to his loyal fans but not this critic. Kev Berry reviews.
Kev Berry reviews Drew Droege’s very very gay play, starring Jeff Hiller.
Queer, joyful, and warmly embracing Tina Landau’s production of new musical SpongeBob SquarePants is a show for anyone with a heart.