Tim Blake Nelson delivers an “utterly confounding” play about the Greek philosopher that features a powerful performance from Michael Stuhlbarg in the title role. Juliet Hindell reviews.
Ivo van Hove’s mid-century aesthetic does not connect with the text of this opera by Leoš Janáček. Juliet Hindell reviews.
John Guare’s new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
A multimedia adaptation of Paddy Chayefsky’s film by Ivo van Hove rams home the contemporary relevance of how media can go completely mad.
A “living sculpture” that pays tribute to the forgotten African heroes of the Great War. Juliet Hindell reviews.
In Mariah MacCarthy’s play, these dark and depraved teens go to extremes. Juliet Hindell reviews.
It crams in too much and skips salient issues but this jukebox musical still ends up being a lot of fun.
Beau Willimon’s play about Washington insiders speaks to our moment. Juliet Hindell reviews
Juliet Hindell reviews Amy Herzog’s new play about navigating the US health care system. Side effects may occur.
Violent and provocative, Robert Icke and Duncan Macmillan’s 1984 brings Big Brother to Broadway with Tom Sturridge and Olivia Wilde