Weaving together Noël Coward’s songs and letters, Irish Rep’s cabaret piece is “unwaveringly affectionate” to the noted raconteur and capitalizes on his clever wordplay. Juliet Hindell reviews.
This slice-of-life play about everyday women benefits from witty writing and a warm performance from Marsha Mason, but needs more guidance. Juliet Hindell reviews.
A stunning adaptation of Euripides’ play finds contemporary relevance in an outdoor summer production. Juliet Hindell reviews.
A cracking good story of the rebirth of British newspaper The Sun and the pervasive influence of Rupert Murdoch. Juliet Hindell reviews.
Tim Blake Nelson delivers an “utterly confounding” play about the Greek philosopher that features a powerful performance from Michael Stuhlbarg in the title role. Juliet Hindell reviews.
Ivo van Hove’s mid-century aesthetic does not connect with the text of this opera by Leoš Janáček. Juliet Hindell reviews.
John Guare’s new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
A multimedia adaptation of Paddy Chayefsky’s film by Ivo van Hove rams home the contemporary relevance of how media can go completely mad.
A “living sculpture” that pays tribute to the forgotten African heroes of the Great War. Juliet Hindell reviews.
In Mariah MacCarthy’s play, these dark and depraved teens go to extremes. Juliet Hindell reviews.