Amy Heckerling’s musical adaptation of her classic ’90s film is a good time, but not necessarily good theatre. Joey Sims reviews.
“Let it be enough,” the title character implores at the end of Will Eno’s play, but our critic doubts that possibility with this revival. Joey Sims reviews.
William Jackson Harper’s play only soars when he embraces the stage as an idealogical battleground. Joey Sims reviews.
Primary Stages presents A.R. Gurney’s trio of plays about “the waning of WASP culture,” but a little more mining is required to bring out his “dark, distinctive voice.” Joey Sims reviews.
Edie Falco brings nuance and passion to her role of political fixer in a play that could use more spark. Joey Sims reviews.
Lily Thorne painstakingly makes quiet drama of an undramatic death. Joey Sims reviews.
Erin Markey wrestles with love-as-aggression. Joey Sims reviews.
Joey Sims reviews Sharon Washington’s autobiographical solo show.
The chaotic spectacle of this classical music-rock concert was undone when things got political. Joey Sims reviews.
Joey Sims looks at a recent unnerving trend in theater: the prolonged blackout.