A verbally expressive audience livened up this well-trod play about Queen Elizabeth and Margaret Thatcher. Joey Sims reviews.
Bess Wohl tackles the spectre of climate change via a film set, but stretches the limits of plausibility along the way. Joey Sims reviews.
The Civilians resurrect a multi-talented queer raconteur in a Chelsea townhouse for a uniquely intimate experience. Joey Sims reviews.
“That Guy” infects our collective bloodstream, in a play Joey Sims calls “theater as a scream of pain.”
Will Arbery’s play brings the laughs alongside the panic attack. Joey Sims reviews.
Jorge Ignacio Cortiñas presents a world tilted uncomfortably on its axis. Joey Sims reviews.
Joey Sims finds that this revival sometimes stumbles, but the “strange, electric play has only gained in relevance” since its 2011 premiere.
Joey Sims looks for light in the face of horror in Sea Wall/A Life.
The Kilbanes retell the story of Philomena and Procne in a concert setting, but the narrative gets lost in the music. Joey Sims reviews.
This world premiere by Helen Banner is messy and unpredictable – qualities our critic finds intriguing. Joey Sims reviews.