Self-isolation has led to an explosion of online theater streaming options. Joey Sims shares a few.
Hilary Bettis’s new play works best when it trusts its smallness. Joey Sims reviews.
Celine Song’s new play mixes brutal truth, barnstorming set pieces, and a bit of magic. Joey Sims reviews.
Beth Malone shines in the title role, but Joey Sims wishes this production were a little more “actively weird.”
What do a nerd, a princess, a skull, and poo have in common? They are characters in this “infectious” musical that takes place, where else, in your phone. Joey Sims reviews.
Misery is abundant in this new opera by Ricky Ian Gordon. Joey Sims reviews.
Talene Monahon’s new play is based on interviews with historical reenactors, but in a moment of political tension, their love of history is called into doubt. Joey Sims reviews.
A Palestinian dreamer’s rocket launch to the moon makes for a wonderful premise, but it drags in spots and leans on cliché. Joey Sims reviews.
Sometimes a stage flub can stick with you. Joey Sims had such an experience with New York theatre stalwart David Rasche in 2013 and again in Rasche’s cabaret debut at Feinstein’s/54 Below.
Joey Sims finds a missed opportunity to tell a truly powerful story in Donja R. Love’s newest play.