Will Arbery’s play brings the laughs alongside the panic attack. Joey Sims reviews.
Jorge Ignacio Cortiñas presents a world tilted uncomfortably on its axis. Joey Sims reviews.
Joey Sims finds that this revival sometimes stumbles, but the “strange, electric play has only gained in relevance” since its 2011 premiere.
Joey Sims looks for light in the face of horror in Sea Wall/A Life.
The Kilbanes retell the story of Philomena and Procne in a concert setting, but the narrative gets lost in the music. Joey Sims reviews.
This world premiere by Helen Banner is messy and unpredictable – qualities our critic finds intriguing. Joey Sims reviews.
Royal Osiris Karaoke Ensemble worship a pizza wheel. Incomplete but calming and serene. Joey Sims meditates and reviews.
Peter Brook and Marie-Hélène Estienne ask how a person can atone for their crimes in a moving new theatrical work. Joey Sims reviews.
Amy Heckerling’s musical adaptation of her classic ’90s film is a good time, but not necessarily good theatre. Joey Sims reviews.
“Let it be enough,” the title character implores at the end of Will Eno’s play, but our critic doubts that possibility with this revival. Joey Sims reviews.