Curtis Russell reviews Blessed Unrest’s production.
Curtis Russell looks back on the shows that successfully and unsuccessfully wrestled with politics last year.
Looking at the fraternity of the broken, music succeeds where script does not in Claire van Kampen’s uneven historical play.
Curtis Russell reviews Gare St Lazare Ireland’s recent appearance at Lincoln Center’s White Light Festival.
Curtis Russell reviews “a rare miss” from Sarah Ruhl: “safe and sane and totally harmless.”