A bio-play about Arturo Toscanini is drowned out by its own music. Cameron Kelsall reviews.
Tender coming-of-age play with stirring music has grown since its Off-Broadway debut and provides shattering moments and an astonishing central performance. Cameron Kelsall reviews.
Immersive with a meal, this adaptation of James Joyce is still a bit dry (as was the roast turkey). Cameron Kelsall eats and reviews.
Superb acting, exceptional production values, and a compelling point of view, but this slice-of-life dramedy by Abby Rosebrock loses its way. Cameron Kelsall reviews.
Tim and Tyne Daly are cast against type in a play written for them and their real-life sibling rapport doesn’t shine through. Cameron Kelsall reviews.
Playwright Larissa FastHorse’s New York debut is a “frequently funny, occasionally obvious satire of performative wokeness.” Cameron Kelsall reviews.
A late-career Tennessee Williams play is marked by “a frank discussion of female sexuality and gay liberation” in a revival by Regeneration Theatre Company. Cameron Kelsall reviews.
Comedy legend Elaine May cannot not save Kenneth Lonergan’s pandering look at dementia, caretaking, and family. Cameron Kelsall reviews.
Cinematic prince of pessimism Todd Solondz makes an assured theatrical debut at the Flea. Cameron Kelsall reviews.
Retrograde gender politics reduce a woman’s life choices to “Heads, you lose; tails, you’re a bitch” in the dated Apologia. Cameron Kelsall reviews.