Alison Walls reviews Primary Stages’ sometimes over-the-top production, in an adaptation by Kate Hamill.
Tel-Aviv’s PuppetCinema visits the US with an adaptation of Etgar Keret’s short stories. Alison Walls reviews.
Actress Jocelyn Bioh’s debut play lends freshness and nuance to familiar tropes.
Alison Walls reviews a part performance, part conversation between a Turkish journalist and her mother about being a Muslim woman in Europe.
Despite its compelling trio of strong female leads, Alison Walls wonders why this ’90s family drama has lost its punch.
A beautiful unraveling: Alison Walls reviews Spencer Lott’s evocative tale about Alzheimer’s.
Alison Walls reviews a show that “for all the skill on display and apparent desire to be avant-garde, is deeply regressive.”
Alison Walls reviews an irreverent and enjoyable take on one of Shakespeare’s most famous plays.
Welcome to New York.