Moments of comedy and a talented cast cannot make this regressive and generic Broadway musical vital. Alison Walls reviews.
Hook & Eye takes inspiration from Eleanor Roosevelt’s women’s work camps. Alison Walls reviews.
The Assembly tries to make sense of Hamlet, Chekhov and Heiner Müller. Alison Walls reviews.
A screen-to-stage adaptation by Tina Fey keeps much of the original’s sweet charm and incisive comedy. Alison Walls reviews.
Alison Walls reviews Jaclyn Backhaus and Andrew Neisler’s nostalgic tribute to America’s pioneering spirit.
Alison Walls reviews Primary Stages’ sometimes over-the-top production, in an adaptation by Kate Hamill.
Tel-Aviv’s PuppetCinema visits the US with an adaptation of Etgar Keret’s short stories. Alison Walls reviews.
Actress Jocelyn Bioh’s debut play lends freshness and nuance to familiar tropes.
Alison Walls reviews a part performance, part conversation between a Turkish journalist and her mother about being a Muslim woman in Europe.
Despite its compelling trio of strong female leads, Alison Walls wonders why this ’90s family drama has lost its punch.