Explicit, provocative, and rich with intentional ambiguity, Jeremy O. Harris’s Slave Play mixes shocked laughter with deep discomfort.
Aleshea Harris’s new play is socially-critical theater with an engaged, energized cast.
New giant ape musical is bizarre, messy, and excessive, but never quite satisfying as a whole. Alison Walls reviews.
Director Daniel Fish and company bring a bright clarity and an aching desire to this classic American musical. Alison Walls reviews.
Moments of comedy and a talented cast cannot make this regressive and generic Broadway musical vital. Alison Walls reviews.
Hook & Eye takes inspiration from Eleanor Roosevelt’s women’s work camps. Alison Walls reviews.
The Assembly tries to make sense of Hamlet, Chekhov and Heiner Müller. Alison Walls reviews.
A screen-to-stage adaptation by Tina Fey keeps much of the original’s sweet charm and incisive comedy. Alison Walls reviews.
Alison Walls reviews Jaclyn Backhaus and Andrew Neisler’s nostalgic tribute to America’s pioneering spirit.
Alison Walls reviews Primary Stages’ sometimes over-the-top production, in an adaptation by Kate Hamill.