A volcanic performance by Raúl Esparza outshines the flaws in this revival of Brecht's allegory play. Lane Williamson reviews.
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"Let it be enough," the title character implores at the end of Will Eno's play, but our critic doubts that possibility with this revival. Joey Sims reviews.
Elaine May returns to Broadway. Anne Bogart brings ancient Greece to Brooklyn. Bedlam mashes up two classic plays. Our staff recommends all that and more this October.
From saints to computers to the Constitution, we have many new works to recommend this month.
As the summer festivals begin and things quiet down on Broadway and Off, we have some theatrical treats to keep you busy around town and out-of-town.
Our critics confess the formative sexy shows, performances, and moments that stirred them.
Gerald W. Lynch Theater at John J. College of Criminal Justice
Beckett's play has never been funnier than in Druid Theatre Company's production in the White Light Festival. Ran Xia reviews.
Kev Berry reflects on Penny Arcade's Bitch! Dyke! Faghag! Whore! at Performance Space New York.
Don't let the summer heat stop you from seeing some plays our critics recommend.
Are American plays on Broadway in crisis? Our critics discuss.
Or Why You Should See SpongeBob SquarePants: The Musical. Seriously. I Mean It. I’ll Wait. Go Buy Your Ticket Now.