Thick layers of sexism and a dull score pervade any chance of this lost Rodgers & Hart musical taking flight. Lane Williamson reviews.
Mitzi Newhouse Theatre
John Guare's new play is a raucous romp through a seaside town with a bevy of outrageous characters and circumstances, but how does it all add up? Juliet Hindell reviews.
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Tori Sampson's new play gives the audiences a mirror to reflect on ideas around black beauty. Ayanna Prescod reviews.
Eliza Bent's audacious work embraces puns and play. With her new show taking flight this month, Jess Barbagallo observes and reports.
New musicals arrive on Broadway, a neglected Swedish master gets his due, and Dionysus becomes Diane. All that and more this February in New York!
At the 4th annual Exponential Festival, Nicole Serratore finds frequent laughs and is only mildly hostile about taking off her shoes.
We share what shows and performances stayed with us in 2018.
Broadway and music and festivals -- oh my! New York has it all this winter, and our critics share their top picks for December and January.
Our critics discuss the merit of dialogue reviews, the New York Times experimenting with them, and King Kong.
Timely and topical plays debut on and off Broadway this November. A bit farther uptown, a Puccini masterpiece returns to the Metropolitan Opera for its hundredth anniversary. Our staff recommend all that and more!
Elaine May returns to Broadway. Anne Bogart brings ancient Greece to Brooklyn. Bedlam mashes up two classic plays. Our staff recommends all that and more this October.