Review: Joinification Ceremony for the Church of FemAnimism

In these socially-distant times, can we find ways to enjoy live performance together? Sibyl Kempson and her company, 7 Daughters of Eve, have invented an online form that shows we ...

Review: Beginning Days of True Jubilation at Ice Factory 2020

The New Ohio Theatre’s Ice Factory festival is usually a reliable summer treat: microbursts of original theater that could bring exciting innovation, brilliant disaster, or anything in between--but the result ...

LCT3 THE HEADLANDS #71-Aaron Yoo in LCT3's THE HEADLANDS - Credit Kyle Froman

Theater 2020: The Season That Wasn't

It seems unlikely that live performance will happen again in 2020. We usually do a wrap-up at the end of the year of our most memorable theater experiences. With only a ...

Review: Hamlet at Festival D'Avignon 2008

Lars Eidinger enters the scene wearing nothing but lace boyshorts and thigh high stockings. He applies stage blood to drip from his nipples. He dons a blond wig and sunglasses. ...

Stage Managing One Zoom At A Time

In early March, things were normal. Clarissa Ligon was production stage manager on Vineyard Theatre’s Dana H., which had four weeks remaining in its acclaimed, twice-extended run. Hannah Woodward was two days ...

Reviews

Review: A Streetcar Named Desire

online

This audio production of Streetcar starring Audra McDonald has not quite reached its destination. Cameron Kelsall reviews.

Published Yesterday

Features

When the Theaters Reopened: Observations from South Korea

Thermal cameras, hand sanitizer, and masks are the new normal for theaters in Korea. Hansol Oh saw 10 shows there and reports on her summer of theatergoing.

29 August

Reviews

Review: Dot. Dot. Dot. at The Old Market Brighton

online

Daniel Kitson's new show is a travelogue through the pandemic offering a bit of a hug. Nicole Serratore is not yet ready for hugs.

16 November

Reviews

Review: BigBlackOctoberSurprise at REDCAT

online

An experimental mosaic of images and ideas on America's crimes against Black men gets a vivid airing in Paul Outlaw's new work.

1 November

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Reviews

Review: Shipwreck: A History Play About 2017

Podcast

This "history play about 2017" punctures liberal certainties, but maybe not enough of them. Loren Noveck reviews.

30 October

Reviews

Review: Russian Troll Farm: A Workplace Comedy

online

Loren Noveck doesn't quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that's both terrifyingly realistic and absurdly hilarious.

24 October

Features

Nicole Serratore

Theater of Your Mind: Closet Dramas and More

Various theater-adjacent projects offer alternatives for reading and interpreting theater at home. Nicole Serratore explores closet dramas and their ilk.

Exeunt Staff

Theater 2020: The Season That Wasn’t

With a shortened 2020 theater season, we focus on the exciting artists we came across in 2020 and who we want to see more from in a post-pandemic theater world order.

Joey Sims

How The Doors Were Opened, and What Comes Next

The George Floyd protests opened up theater lobbies and has prompted a new dialogue about theater and race. Joey Sims investigates.

Joey Sims

Stage Managing One Zoom At A Time

Stage managers pivot to Zoom. Joey Sims reports on how this job has shifted in pandemic times.

See All Features

Reviews

Review: Circle Jerk

online

Going full maximalism, this live streaming show is skewering satire of white supremacy in gay circles.

20 October

Reviews

Review: Baby Jessica’s Well-Made Play

Over the Phone

An interactive, phone-based show makes you think about celebrity, media, history, and memory. Nicole Serratore reviews.

5 October

Reviews

Review: Faith Healer at The Old Vic: In Camera

Old Vic

Brian Friel's vivid play gains intimacy from the Zoom format and benefits from a shimmering performance by Michael Sheen. Cameron Kelsall reviews.

19 September

Reviews

Review: Three Kings at The Old Vic: in Camera

Old Vic

Andrew Scott, with shades of anger, nonchalance, and self-awareness brings to life a new monologue about a narcissistic absent father and the sons he's left behind. Nicole Serratore reviews.

6 September